OCTOBER 13, 2014 5:16PM
Road Crush
THE HITCHER
Released: 1986Director: Robert Harmon
Writer: Eric Red
Notable Cast: Rutger Hauer, C. Thomas Howell, Jennifer Jason Leigh
Plot: Young dude (Howell) solo on the road is delivering his vehicle from Chicago to San Diego. He makes the unfortunate mistake of picking up a deranged killer (Hauer) whose obsession with him leads to all kinds of gory mayhem. A woman is incidentally involved. Pass the french fries!
Commentary: A 1980's classic with improbable action and gore (french fries!), The Hitcher is a great thriller of its kind with a lot more going on underneath than you might suspect.
I suspect though can't confirm that this subtext is why Howell's role was changed in the 2007 remake (haven't seen it). More on that in the "What We're Afraid Of" section.
It has one of those picaresque 'Tangerine Dream-y' 1980s soundtracks that are lovely and hypnotic.
What We're Afraid Of: It was the 1980's and this film is about Gay panic.
Others have suspected a mutual homoerotic S&M relationship element to this dynamic. Could be.
Jennifer Jason Leigh's character is but a beard, or conversely, a Woman in the Refrigerator, a vehicle to further place Howell's character's heterosexuality under attack and to motivate his hero's journey.
There's been a lot of writing on The Hitcher and gay panic. And here's an interesting interpretation from the blog This Island Rod by Roderick Heath - that Hauer's character represents the futility of staying in the closet:
Intimations of
anticipated violation take on other dimensions as Ryder keeps the knife
pressed in Jim’s crotch as they’re pulled over by a road worker, who
takes the gesture for a queer rendezvous. Like another mid-‘80s horror
movie, A Nightmare on Elm Street 2, the seemingly inhuman killer
provokes voluble metaphors for gay panic, as the threat of homoerotic
violence lends a note of queasy knowing to Jim’s near-psychic link to
Ryder and his actions during their absurdist chase. Ryder seems to
embody an entrapping fact of identity that cannot be escaped, and
certainly coming along when Jim is vulnerable and in the act of escaping
his familiar life. Jim’s refusal to submit, that is, to complete
Ryder’s dictated statement, “I want to die”, makes him the top, and
Ryder, who seems to be devoutly wishing a consummation, nominates Jim
not as victim but as nemesis, the one who must finally grow big enough
balls to take him out, whatever the potential cost, as he provokes Jim
at several points to kill him.
TIP:
Comments
Hauer was born to play
these kinds of roles! I always find it interesting that the horror
genre finds so little purchase among the critics, and especially the
elite critics, yet, despite being dismissed as trash, the films are
attuned to the cultural moment. Thanks for this, ChillerPop.
San Diego. That is where I am. Horror movies abound here and people don't even know they are in one. lol
I watched the video
comp ... yeah, not very subtle on the gay panic thing. And once again
we have an oh-so-true-to-life gay predator and the homespun'n'all
innocent straight guy predatee (rolls eyes). And YES! to "'Tangerine
Dream-y' 1980s soundtracks."
I don't know what I was
doing in the 80's, but I wasn't catching these movies. Truthfully, I
avoid horror movies because they scare me. Love these reviews, though.
/r.
/r.
Thanks Jerry! Yep, they may be bad, trashy and lowbrow but as you say, they're attuned.
Zanelle - I can think of no more beautiful place to escape the clutches of a Halloween monster.
VA - according to some research I've done, I guess the homoerotic subtext came at the suggestion of Rutger Hauer. If anything it makes the film more interesting, if laughable.
OIT - I appreciate you reading, especially when you don't care for the genre. Thanks!
Zanelle - I can think of no more beautiful place to escape the clutches of a Halloween monster.
VA - according to some research I've done, I guess the homoerotic subtext came at the suggestion of Rutger Hauer. If anything it makes the film more interesting, if laughable.
OIT - I appreciate you reading, especially when you don't care for the genre. Thanks!
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