Saturday, March 21, 2015

FEBRUARY 11, 2015 12:41AM

It Follows - Sundance 2015

Rate: 8 Flag
if

Chillerpop@ Sundance Review

DirectorDavid Robert Mitchell
Writers: David Robert Mitchell
Notable Cast Linda Boston, Caitlin Burt, Heather Fairbanks
SynopsisFor nineteen-year-old Jay (Caitlin Burt), Autumn should be about school, boys and week-ends out at the lake. But after a seemingly innocent sexual encounter, she finds herself plagued by strange visions and the inescapable sense that someone, something, is following her. Faced with this burden, Jay and her friends must find a way to escape the horrors that seem to be only a few steps behind. (source: imdb user Jose Tamayo).

I'm back in my element with a very thought provoking horror movie that screened at Sundance 2015.  It is at times frightening, it has heaps of meaning, and it could be this generation's own Nightmare on Elm Street.
There's a plot synopsis above, but I'm forced to elaborate some technical details. 
It Follows is about a young girl, Jay who decides to lose her virginity to her new boyfriend.  The boyfriend proceeds to choloroform her, tie her up and then inform her that "It" is coming for her.  Only she can see It.  He can see It too but now that he had sex with her, It only wants to kill her.  The only way to to stop It from coming after her is to pass It on to someone else through sex.  If It kills her sex partner, It will come back for her.
This is a literally sexually transmitted disease.  I could only imagine what the reception to the movie would have been had it been made and released in the 1980's.
 
It is a great horror monster.  It can look like anyone, except with blacked out eyes and demonic shrieks.  We know nothing about It -  not what kind of demon It is, not what kind of spell, prayer or potion you need to kill It, no contrived long-winded mythology to bore you to tears.  It just is, and the only information you get is what you're given by word of mouth from the person who passes It on to you. 
 
The film is tense, exciting, and harbors great jumps and scares.  But it's also quite serious and morose.  It's no horny teen slasher thrill ride, so I am curious how it will be received by the Torture Porn generation.
 
And that's what makes It Follows worthy.  There's a lot of questions to be asked and debated.  Is the Final Girl trope being deconstructed?  Is she being forced to be a slut in order to survive as opposed to being spared for her chasteness? 
 
Or does surviving It mean that she has to forge new, strong adult intimacies?  Will sex workers and the bottom rung of society end up bearing the brunt of It's murderous horror?

The director wasn't present so there was no Q&A session after the screening.  Perhaps that was for the best.  I can tell you I'm not above asking all the sophmoric teenage boy questions this movie generates.  What happens if the It carrier is in an orgy?  Does it have to be penis-to-vagina intercourse to count? Can gay sex pass It on?  What about bestiality?  
Settle down, Beavis. 

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Comments

R&R On a more primal level, if Jay elects to become the virgin sacrifice, will that guarantee a good harvest? ;-)
Nah Jmac, that only works on Summerisle ;)
I can tell you really liked It (groan). Do you feel the overall audience response was strong also? Does it tend to be standard at Sundance to have the director present at screening? It seems to be the case but wasn't sure if that was just with a selection of screenings.
It was tough to gauge audience reaction, VA, but it's been getting good buzz. So has "The Witch", which I didn't get to see at Sundance. And yeah, typically there's a panel after the screening with directors, producers etc. But I saw this towards the end of the week, and it had already premiered earlier in Park City. By the end of Sundance week a lot of people leave.
I will start making my list! So you got to actually GO to the 'Dance this year? Awesome if so...
Next year :)(:
Maybelline, Butterflies and the Electric Bus
that'll be us,
for the T-shirt at least, something
astonishingly awesome as
Beauty and the Beast
Thanks for this, Chiller; sounds eminently watchable. Interesting that STD is used: generally, there's nothing "sexy" about it and its ultimate effects--loss of bodily control and madness--are pretty nasty. But, it makes for a dandy metaphor for the spread of moral corruption. But let's take a metaphorical step up: don't we all have "its" that bedevil and beset and beleaguer us, and that, to restore some level of comfort, we project onto others. And then there's the idea that the teen years themselves are a kind of disease--I distressful time in which merely inhabiting the body seems strange and filled with dis-ease; and, finally, the idea of the fraudulent romanticized mystique that can surround the initial sexual encounter being seen for what it is. Lot's of possibilities here!
@James, do you have a film coming out? If so congrats!

@Jerry - beautifully analyzed, and you haven't even seen the film!

@KC - only living in UT really makes that possible for me, plus my reaping the grace of friends who actually have the drive and energy to stand in line, wake up at ungodly hours, etc.

@Jonathan - thanks as always.
Chiller,
no I don't

However,
from time to time I think:
film it and they will come
I would have asked,
Can I catch It from a toilet seat?
Will my girlfriend get pregnant if It goes in a hot tube?

Btw, I like your theory of the deconstruction of the chaste girl theme . R
Trudge my dear friend! It is good to see you 'round here. I hope all is fantastic with you.
Chiller, all is well. Thank you for asking.
FEBRUARY 4, 2015 2:11AM

Finders Keepers - Sundance 2015

Rate: 5 Flag

  leg Chillerpop@ Sundance Review

Director:  Bryan Carberry, J. Clay Tweel
Producers: Ed Cunningham
Notable Cast Shannon Whisnant, John Wood
SynopsisAfter a horrific plane crash, John Wood recovers his severed leg from the hospital, then places it inside a barbecue smoker, takes the smoker inside of a storage unit, and falls behind on his payments.  When aspiring celebrity Shannon Whisnant purchases the storage unit, he discovers the hidden prize. 
What follows is a colossal battle for the ownership rights to a severed leg.  
So far in my Sundance reviews for 2015 I've talked about storage units, celebrity as the ultimate coin of the realm, and economic anxiety.  A weird pattern is emerging because this documentary contains all three things.
 Finders Keepers is an excellent documentary about an event that most people want to write off as the Darwin Award Recipient factor.  Indeed, news bureaus in North Carolina received calls from all over the world, and one can only imagine what the French newspapers printed about American idiocy.
At the start of the film I was wondering if this would be 90 minutes of "let's laugh at the dumb white trash."  It was no such thing.  This documentary is moving and, dare I say, micro-Shakespearean in magnitude.
True, a fight over a found severed leg - between the leg's previous owner and the man who legally purchased the barbecue it was stored in - seems one of the most amazingly ridiculous things you could imagine, the stuff of Jerry Springer.  But this leg took on a world of meaning for both men.
leg 3 The man that it was attached to, John Wood, had a whole host of troubles - drugs, unemployment, family estrangement, and more.  But what come to light are his feelings towards his father (who lost his life in the same plane accident that resulted in his amputated leg), his guilt, and his desire to reconnect with his own family and overcome his addiction.  For him the battle for this leg symbolized all of this, and it eventually drew him closer to peace, closure and healing.
leg 2 Meanwhile, I couldn't help but be charmed by Shannon Whisnant.  He seems like a stock comic villain at first, stubbornly refusing to return another man's lost body part.   You'll further whisper "what the fuck" under your breath when you learn that Whisnant had plans for that leg.  Grand plans.  A local museum, t-shirts, appearances on reality shows, celebrity, riches - Wood's severed leg represented the fulfillment of his dream.  And with a sad admiration, I could see through interview segments that Whisnant has a strong, deep and passionate desire to be famous and to make people laugh. 
And oddly enough, I wish him luck.

Also Recommended

Finders Keepers was produced by former NFL player, ESPN sportscaster and  current film producer Ed Cunningham.  He has been involved in several excellent documentaries.  See below.
New York Doll (2005) - A documentary profiling Arthur "Killer" Kane, former bassist of the New York Dolls, following his addiction recovery, conversion to Mormonism and battle with cancer.  You'll see a very concerned and gentlemanly superfan Morrissey push for a New York Dolls reunion, and if you click on the DVD extras you can see lead Doll David Johanssen singing a Mormon ballad.
The King of Kong: A Fistful of Quarters  (2007) - This is another incredibly compelling documentary about a battle between two adult men, one of which will stop at nothing to be the reigning Donkey Kong champion of the world. 
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Comments

This story sounds too fucked up to be true. I guess the cliche, "The Truth Is Stranger Than Fiction", applies to "Finders Keepers".
I gotta see this! Thank you! r.
Gack.

Great review. Think I'll skip the movie tho. (I generally skip movies anyway.)
R&R Not hard to see the Shakespeare in that scenario... six pounds of flesh and bone. ;-D
Whoa boy, here's a tale you don't hear every day. It sounds like a Monty Python sketch.

I still have to see the "New York Doll" doc. Sadly, by the time I got to see the reformed Dolls, Kane had already passed away (although the gig was still fab). And if you read the Morrissey bio as we were talking about elsewhere, you'll come across a Killer Kane story from a far less considerate and gentlemanly Moz.
FEBRUARY 3, 2015 1:49AM

Hot Girls Wanted - Sundance 2015

Rate: 5 Flag

hot_girls_wanted_3177598b

Chillerpop@ Sundance Review

WARNING: NSFW
DirectorJill Bauer, Ronna Gradus
Producers: Rashida Jones, more
Notable Cast Kendall Plemons, Tressa Silguero
Plot:  Hot Girls Wanted is a first-ever look at the realities of the professional “amateur” porn world and the steady stream of 18-to-19-year old girls entering into it. (source: chicken & egg pictures)

I think I'm becoming a Marxist. Hot Girls Wanted gets at the very root of why we have such an insane and horrid pop culture landscape: money driven by instant fame, and celebrity as the Coin of the Realm. 
Full disclosure: I've seen a movie or two, I'm hardly a prude and I'm not against pornography.
With that out of the way, this documentary, which I watched at a Sundance screening on Thursday, gets at some truths behind the digital age of porn.  It behooves men to at least try to understand these truths between fap sessions.  And yes, I mean men.  Young women who want to enter this type of work have a lot to understand as well, but the film spells that out very clearly
The documentary weaves the experiences of a group of young women - 18, 19 and 25 -  who live in a house in Miami, a house maintained by a talent agent whose job it is to feed "barely legal" type women through an amateur porn website mill.   Amateur porn is defined as point-of-view, "reality" type porn (it's as scripted as anything else).  No links; you can find it yourself if you're curious.
One of the lead characters, Tressa, has a boyfriend who thinks he's okay with her being in porn, and slowly reveals to her parents that this is the career she has chosen.
The talent agent is a 23 year old guy, Riley, who deserved more study as a character.  Dressed in the most garish neo-gangsta porn-branded style, he seems to feel as though he's at the top of his world.  In once scene he looks vulnerable and lost as he reveals how he was bullied in high school.  This porn hustler life makes him feel like somebody.
This is a typical trajectory of these girls' path in porn:
  1. The girl, 18 or 19, sees ads online seeking an adult model and a free trip to Miami.  The film makes it clear that the girl knows full well this is porn, and she knows exactly what goes on in these movies.  She wants fame, money, autonomy and an escape from her dreary economically depressed town. 
  2. The girl arrives at Riley's house, befriends Riley and the other girls in the house.  She's excited to start her porn career, and launch themselves eagerly into their work.
  3. She makes the money (25K in three months), she parties like the rock stars she sees on the media, she's ensorcelled by a taste of the pinnacle of american existence (celebrity and notoriety). 
  4. After three months (a span of time Riley has perfectly calculated, as he has seen it numerous times), there are fewer and fewer calls for shoots.  It's suggested that she move from the 'amateur' genre into increasingly specialized genres.  25 year olds are now 'MILFS' and certainly not the fresh young teen that seems to fuel this type of market.
  5. The girl takes the specialized work.  Her scene partners become noticeably less attractive.  She becomes increasingly deadened.  The sex acts are more extreme. There is one highly disturbing segment where the 25 year old explains her work in "Extreme Facial Abuse" porn.  Unless degradation and abuse are wired into your sexual tastes (no judgement), you'll find it revolting.
  6. There's less money coming in, and none saved due to expenses.  And unless she's distinguished herself somehow, she's done.  It's over.  Only she can't ever truly keep it behind her because her career lives on the Internet.
kim My big takeaway: far from the cliches of the sweet young girl taken advantage of by sleazy abusive porn industry men, girls learn at a very early age that participating in sexually explicit media acts - whether on purpose or via leaked sex tape -  will launch multimillion dollar brand empires, acting careers, celebrity lives or more.  They feel "like a boss"; and there are women with active porn careers who gleefully tout that message.
Because they are only 18 and lack hindsight and life experience, they fully embrace that idea - until the reality turns out to be much different.
belle The "Duke Porn Star" Belle Knox had an unwitting part in this documentary (at the Q&A session the directors said Knox was tweeting at them angrily). In the documentary, video clips of her media interviews with The View and CNN show her declaring in vapid soundbites how "liberating and empowering" it is to be in control of your sexuality, etc etc.
The 25 year old woman profiled in the film downloads a clip of Knox's first ever porn scene, which was from the extreme facial abuse website which she herself had worked for.  She immediately calls Knox out as a liar and identifies her media interview-speak as the work of a "great PR agent" and as "bullshit." 
Part of me felt that this slut-shamed Knox in its own way.  I wouldn't presume to know where her kinks and limits lie, and whether she is at peace with - or empowered by - the type of porn she does.
Then again, it's pretty clear that the economic drivers and the lure are quite strong.  And in the end, does it make you mad that porn, easy riches and the celebrity life were the only things that could make these girls feel "like a boss"?

Also Recommended:
Not A Love Story (1981):  I watched this anti-porn documentary in college.  It's full of 70's porn kitsch, and, it's also full of maudlin Dworkinite hysterics, many of which are baseless and silly.  I believe it was also denounced by erotica pioneer Susie Bright.
Hardcore (1979): Very compelling and psychotronic anti-porn hysteria film starring George C. Scott as a staunch Calvinist minister forced to enter the seedy underworld of the porn industry to rescue his precious, innocent daughter.  Because once you enter the porn industry, it can only lead to - dun dun dun! - SNUFF PORN!  Directed by Paul Schrader, with appearances by Ed Bagley Jr., Dick Sargent, Peter Boyle and Hal Williams as "Big Dick Blaque".
After Porn Ends (2012): A fascinating and nuanced documentary about the porn stars of yore and where they are now.  Some stories were sad, and some were not.  Some regretted their career choices, and some did not.  I was thrilled to learn that Asia Carrera was a mensa member and lives in Utah.  She worships the Flying Spaghetti Monster.



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Comments

The path in porn is so seductive. You start out skipping and humming and then it can turn on a dime. I remember "Deep Throat" I like to think there are happy porn stars. I think there are women making porn now and some of the things are very positive and fun. Thanks for the review.
I was one, Zanelle, and i was very happy for about ten seconds.

Rated.
@zanelle - yep. Its not a new story by any means. To me the difference seems to be that the girls can easily see the porn they're looking to participate in, and there really is less marginalization once the girl has been perceived to make it.

@Jonathan -- uuuh, WHAT??? Talk, man!
It's the manipulation on the vulnerable rather than someone doing it because they want to with eyes open that's problem. The latter is fine; the former totally isn't. As for your recommendations, I have "After Porn Ends" in our Netflix queue but haven't screened it yet.

Meanwhile, I'm just damn jealous that you get to attend Sundance!
Agreed VA. And I think legal adults can still be vulnerable.

Let me know what you think of After Porn Ends. There's a cover of "Sweet Jane" at the end credits!
JANUARY 30, 2015 12:35AM

Kurt Cobain: Montage of Heck - Sundance 2015

Rate: 9 Flag

kurt 

Chillerpop @ Sundance Review

What if you held the keys to an old storage unit belonging one of the top
tragic icons in rock and roll history?  What if the icon's widow, notorious for her addiction and her madness, gave them to you and said “go make a fucking documentary?"

Writer and director Brett Morgen (Chicago 10, Crossfire Hurricane, The Kid Stays in the Picture) had exactly that opportunity, as he explained in a long introduction to his documentary film Kurt Cobain: Montage of Heck.

The result was a remarkable documentary bio with a difference and an agenda.  But it's an agenda worth sticking to.
The crowning technical achievement of the film is its animation sequences.  Video clips and innovative animation, scored to alternate takes of Nirvana songs, narrate seminal events in Cobain's life and let the audience see his very disturbing drawings and poems.  A lot of it will make you as naseous and uncomfortable as Kurt often seemed to feel due to his stomach issues.
The other important piece of the movie was some very intimate and private footage of Kurt, Courtney and baby Frances Bean, most of which I believe was sourced from the aforementioned storage unit.
It is also well complimented by interviews with key figures in his life, including his mother, sister, step parents, an ex-girlfriend, Love, and bassist Krist Novoselic.  Dave Grohl, thoughinterviewed by the director, did not make the cut.  More on this below.
The public generally thinks of Kurt Cobain’s story thus: tortured childhood, tortured artist, punk rock, instant fame, infamous wife, drug addiction, "27 Club" suicide.  Those who are obsessive fans or absorbed a lot of music journalism in the 1990’s (as I did) may know a little bit more.
Everyone seems to want a pat, simple picture of why he chose to commit suicide, something that makes sense in their own world:
Fragile romantic artist collapsing under the weight of stardom.
Whiny, junkie loser who didn't deserve to make it.
The corruption of punk/alternative purity when mixed with massive airplay and corporate greed.
Murder conspiracy theories.
And on and on and on.  The point of this documentary was that 99% of the above are massive distortions that exist in people's heads.  Here were the important takeaways:
Childhood pain. yes, he did have a painful adolescence.  But was it more painful than that of the rest of us?  There didn't seem to be any extraordinary or horrific circumstances.  No physical abuse or poverty or alcoholism was in evidence.  Just a building alienation and loneliness that any kid might feel when his or her parents split up.  One thing the footage and interviews made clear was that the child Kurt was loved.
Cobain's intense pride. Novoselic stated this in no uncertain terms: Kurt would not be made a fool of, mocked, or ridiculed. In his music you tend to hear rage directed inward, poetic and defiant and deadly self-deprecation.  But the picture emerging here is of someone who was very actively confrontational when offended.  No surprise was the audio clip of him making dark threats against the journalists or Vanity Fair editors who exposed Courtney's heroin use while pregnant.
Not the Hole Story? This is only my stupid alterna-rock-geek nitpick. I can only imagine that his friendships with Bikini Kill's Kathleen Hanna - she was responsible for the song title "Smells Like Teen Spirit" -  and romantic relationship with the same band's Tobi Vail - were highly influential in Kurt's support for feminism and progressive issues.  But Montage of Heck didn't cover this. I had wanted to ask about it in the Q&A afterwards, but I didn't want to risk the wrath of Courtney Love.
I do wonder if this ommission was due to Courtney's involvement in the film.  She physically assaulted Kathleen Hanna in 1995 and then went on to spread a whole bunch of vicious vitriolic lies about her.  Most notoriously, her claim that Hanna asked: "Where's the baby? In the closet with an IV?"
Ditto on the lack of interviews with Grohl, although Morgen explained that schedules made it impossible to get Grohl's commentary in time for the film, and he and Courtney have buried the hatchet.
 and finally...
The Family Man.  The documentary establishes beyond a shadow of a doubt that Kurt was deeply, intently in search of his own family.  He wanted a home life that was intimate, guarded and full of everything his childhood didn't have.  It establishes that as they struggled with their demons and addictions, Kurt and Courtney loved each other and their child intensely.  If you were still hanging on to the stupid conspiracy theories of Kurt and Courtney: A Documentary, you can stop now. 
This was a loving family.
If Courtney isn't always honest, she's never less than raw.  At the end of the film she reveals that when she had thoughts of being unfaithful, Kurt psychically knew.  And soon afterwards was when his overdose in Rome occurred. 
Threats to his family destroyed him.


Behind the Blog Post

It was the Sundance - and world - premiere of Montage of Heck, and I had the good fortune to be able to attend on a waitlist ticket.  Mrs. Chillerpop looked out for me, and I absolutely owe her. 
There was plenty of star-stalking to be done, despite the fact that ticket holders were not privvy to the red carpet goings on. I spotted Norman Reedus, exuding humble rock star redneck cool.  Per the writer-director, members of the Meat Puppets - whose songs were some of the most notable on the Nirvana: Unplugged album - were in attendance.  
And of course, Frances Bean Cobain and Courtney Love were in the audience.  Frances apparently left early, although as the director explained, she had already been shown the completed film. 
And before you ask: nope.  Not a peep out of the Widow Cobain.  No scene, no ill behavior. By all accounts she was pleased with - and moved by - the results.

Additional Viewing

Hit So Hard - this is a documentary about Patty Schemel, the drummer for Hole, and her battle with drug addiction.  Her story is fascinating.  It also reveals plenty of insights about Hole, Nirvana, Courtney and Kurt.
The Punk Singer - this documentary profiles Love's declared arch-nemesis Kathleen Hannah, the revolutionary Riot Grrl leader of Bikini Kill, Le Tigre and The Julie Ruin.  You'll see how she was responsible for "Smells Like Teen Spirit" and sets the record straight on Courtney Love's assault (which I believe over Love's account).
1991: The Year Punk Broke - nah, it was actually 1994 if you ask me. But regardless, this is a weird inside look at a Nirvana/Sonic Youth tour, featuring appearances by Iggy Pop, Joey Ramone, Babes in Toyland, Hole and if memory serves me, many more.


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Comments

What if the icon's widow, notorious for her addiction and her madness, gave them to you and said “go make a fucking documentary?"

Actually she told me to go fuck myself and then threw some of Kurt's "unpublished" diaries at me.

I won't ever publish them, cause well, they're full of rantings like, "That stupid cat who I met in Butte, Montana - telling me to drop my dreams of being a rock star and go back to Tacoma and go work for K-Mart! Screw you cat!! I'LL BE FAMOUS!!! LIKE ELVIS FAMOUS! AND I'LL GROW OLD AND FAT, JUST LIKE HIM! YOU'LL SEE!!

Yes, I have led an interesting life without being interesting!! WOO!! :D

Rated.
R&R I've listened to a whole lot of punk, from The Velvet Underground and Iggy Pop to Sid Vicious and X, Cobain/Nirvana, Alice in Chains and Nine Inch Nails.

And here's the weirdest thing: For my money the very best punk performance I've heard was Johnny Cash's last recording covering NIN's "Hurt." In his wild and wooly early years Cash was about as punk as you could get, booze, drugs, sex and bar fights, even jail time, and his requiem track of "Hurt" says it all:

https://www.youtube.com/watch?v=l95D7leeU3w

R&R ;-)
I understand and admire Kurt's loyalty to his wife, Courtney, but her behaviors reinforce the perception that she is a crazy bitch. Her daughter, Frances, had to take out a restraining order against her mother, Courtney.
I am looking forward to seeing the documentary, "Montage Of Heck."

RRR
Oh Tink! Next you'll tell me that you peed in the bushes outside of Amy Winehouse's rehab clinic!
I hadn't planned on seeing it but you make it sound intriguing enough that I'm reconsidering. Nice review Chiller.
Jmac - for sure! Johnny Cash transcends all labels! ( and glad to hear you listen to X. Can there be a voice more golden than John Doe's)
Littlewillie - yep. Theres plenty of evidence that Courtney is one messed up human, no question. But in any given person's story are different sides and shades. I think the director just wanted to show that this was indeed a family.
Abra let us know what you think.
There is a big sign welcoming visitors to Aberdeen, lauding Cobain, as they enter his former home town set at the edge of Gray's Harbor. I was surprised to see that two years back when heading up there for a weekend.
In the early 70's myself and a couple of musician friends were asked to move along by the police for busking mid-day in a parking lot in Olympia. My artist friend owned the lot behind his studio so it worked out. Nearly two decades later Cobain and crew before the giant fame would do the same thing and then end up sleeping in their van.
Very cool, aka. The relationships that famous musicians have w their hometown is always fascinating
Thanks for this, Chiller; it's a wealth of interesting and pertinent information. Mr. Morgan seemingly fell into some big-time luck, and, from your description, appears to have made the most of it, humanizing and honoring its subject. BTW: did you see Courtney Love in "Sons of Anarchy" playing an elementary school teacher? It was a role that vectored 180 degrees from her public persona, and I thought she was outstanding.
I found this of interest because it is a thoughtfully written piece. Not being a punk rock fan, I really don't know too much about the Cobain family or his passing, but you obviously have an intelligent take on his work, his life, and this film.
Peace to you
R
@jerry - no way! Wow, now I have to watch it. Here I was thinking she would be playing a crazy biker mama.

@pw thank you! Peace to you as well
Thanks so much for your insights on this flick which I am quite eager to see (and lucky you getting into the Sundance premiere!). You’ve touched on a few things that I haven’t yet read elsewhere about the film’s content. I’ve also been reading that a re-edited, Grohl-inclusive cut will be coming, as it should.

It’s getting across-the-board raves, not surprisingly for me as Morgen’s “The Kid Stays In The Picture” is a superbly executed and entertaining documentary about Robert Evans. One of my favourite docs, and I'm a documentary-head.

I saw Hole shortly after the Widow Cobain/Kathleen Hanna fisticuffs, with Courtney replete in an arm cast and extra pissed that she couldn’t really play guitar during the set.
Thanks. Flawed dude needed to start over...
Glad you scored the tickets. Great review, as usual.
My friend's brother had a short at Sundance. It was about GMOs. it's supposed to be released for TV, but who knows.
I am waiting for the Scientology release and hoping it's as awful and freaky as I think it will be.

/r.
@VA - yep. He mentioned a Grohl inclusive cut. I don't see why not, although ultimately I'm not sure he's that important to the story. And the director claimed that the Widow Cobain - whom I also saw on that Lollapalooza show in NYC - watched "Kid Stays in the Picture" several times over. Thanks for stopping by, buddy.

@tg within - if only all of us flawed dudes could start over.

@OIT - wish I'd been able to catch your friend's short. And I'm also waiting on the Scientology doc with baited breath! Need to read the book first, though.